The Hellenic Path
Ares
Sacker of Cities, Man-Slaying Ares, Bronze-Helmed God of War, Insatiate of Battle, City-Sacking Ares
Pronounced AH-reez (ancient Greek: Ἄρης)
Domains
war — specifically the experience of battle (violence, blood, wounding, death, fear) · courage and martial valor · civil strife and conflict · male vitality and aggression · military training and discipline · protection of the polis through force · strife (eris) as a driving force · the Spartan martial culture · Thrace — his homeland in mythology

Who is Ares?
Ares is one of the most theologically important and consistently misread deities in the Greek pantheon. He is not a god of military strategy, tactical genius, or the glorious victory of the just — those domains belong to Athena. Ares is the god of war as it is actually experienced from the inside: the terror, the wounds, the bloodlust, the chaos, the intoxicating and terrifying immediacy of life-or-death violence. He is the feeling of war, not its plan. The Iliad, our richest ancient source for his character, calls him 'man-slaying' (androphonos) and 'sacker of cities' (ptoliporthos) and depicts him as a force of raw, ungoverned violence — beloved of no god but the ones most like him (Aphrodite, notably) and feared even by Zeus (Iliad 5.890–891: Zeus tells Ares he is the most hateful of the gods to him, 'for you love strife and wars and battles').
His mythological humiliations are numerous and, to modern practitioners, initially puzzling. He is wounded by the mortal Diomedes in the Iliad Book 5 — wounded and sent howling back to Olympus, where Zeus shows him little sympathy. He is imprisoned in a bronze jar for thirteen months by the twin giants Otus and Ephialtes (Iliad 5.385–391), rescued only when Hermes is informed. He is trapped naked with Aphrodite in Hephaestus's invisible net and publicly mocked by the gods (Odyssey 8). He loses a legal dispute before the Athenian council (the Areopagus — 'Hill of Ares' — is named for him) and is ultimately acquitted only barely. Yet in all of this, his power is not diminished — it is clarified. He is consistently humiliated by the instruments of civilization and reason (Athena, Hephaestus, Zeus's judgment, divine law), yet he cannot be destroyed, permanently contained, or reasoned away. War returns. Strife returns. Ares is the evidence that civilization never entirely eliminates what it seeks to contain.
His children reveal his full nature more completely than any other detail. By Aphrodite he fathered Eros (Love), Anteros (Requited Love), Phobos (Fear), Deimos (Terror), and Harmonia (Harmony). This parentage is not accidental or ironic — it is deeply theological. Love and War are born from the same parents because they operate by the same fundamental force: the intensity of desire that can equally draw together or tear apart. Harmonia, born from the union of War and Love, suggests that harmony is not the absence of conflict but something achieved only by those who have faced both love and war fully. He was worshipped most intensely in Sparta, where discipline and martial courage were civic virtues, and in Thrace, which the Greeks associated with wild, uncivilized strength. His sanctuary in Athens — the Areopagus, Hill of Ares — was where the most serious murder cases were tried: an acknowledgment that he governs the space where human life is violently ended, and that this space requires its own kind of order.
The Myths — cited to the sources
Ares Wounded by Diomedes — The God Who Bleeds
Homer, Iliad, Book 5.825–909 (the aristeia of Diomedes)
During the greatest day of fighting at Troy, the Greek hero Diomedes was granted temporary divine sight by Athena and told to fight any god except Apollo. Ares entered the field to fight for the Trojans. Athena guided Diomedes's spear, and Ares — the god of war himself — was wounded. The ichor (divine blood) poured from him, and he screamed with a sound like nine or ten thousand men and retreated to Olympus, where Zeus offered him little sympathy, calling him the most hateful of the gods and noting that his own mother Hera's hatred was just.
Ares Imprisoned in the Bronze Jar
Homer, Iliad, Book 5.385–391 (Dione speaks to Aphrodite about gods who have suffered)
The twin giants Otus and Ephialtes captured Ares and imprisoned him in a bronze jar for thirteen months. He would have died there, wasting away, had not Hermes been told of his imprisonment by Eriboea, the stepmother of the twins, and rescued him. He emerged 'exhausted' according to the account, having been worn down by his confinement.
The Trial of Ares on the Areopagus
Euripides, Electra 1258–1260; Pausanias, Description of Greece 1.21.4 and 1.28.5; Apollodorus, Epitome 3.8
Poseidon's son Halirrhothios raped Alcippe, the daughter of Ares. Ares killed Halirrhothios on the spot. Poseidon brought Ares before the assembled gods for trial on the hill in Athens that would bear Ares's name — the Areopagus. Ares was acquitted (the gods voted equally and a tie went to the accused). This is said to be the first murder trial, establishing the principle that even divine vengeance for rape requires legal adjudication.
The Children of Ares and Aphrodite
Hesiod, Theogony, lines 934–937; Homer, Odyssey 8 (Ares and Aphrodite); Pausanias, Description of Greece 3.15.7 (the children in cult)
From the union of Ares and Aphrodite came several children who define the full range of their parents' combined domain: Eros (Love and Desire), Anteros (Requited Love, who punishes those who do not return affection), Phobos (Panic Fear), Deimos (Dread), and Harmonia (Harmony), who married the hero Cadmus and became the ancestress of the Theban royal line. In Sparta, Eros was worshipped at the gymnasium as a companion of war, suggesting the ancient understanding that the love of one's fellow soldier — the erotic bond of comrades — was the foundation of military courage.
Correspondences
Domains
war — specifically the experience of battle (violence, blood, wounding, death, fear) · courage and martial valor · civil strife and conflict · male vitality and aggression · military training and discipline · protection of the polis through force · strife (eris) as a driving force · the Spartan martial culture · Thrace — his homeland in mythology
Symbols
iron spear · bronze helmet · war shield (aspis) · flaming torch (in some depictions) · dog (companion in the field) · vulture · the burning city
Sacred Animals
dog · vulture · woodpecker (in some traditions, particularly Roman Mars) · horse (war horse in particular) · serpent (sacred serpent of the Ares at Thebes)
Sacred Plants
oak (in some traditions) · aconite (wolfsbane — associated with his fierceness)
Offerings
red wine · iron weapons or iron tools · red or crimson candles · incense (frankincense or myrrh) · blood sacrifice in antiquity (dogs and oxen were offered at Sparta) · spear offerings at sanctuaries · military trophies · physical exertion and training offered as devotion
Also Known As
Mars (Roman — though Roman Mars acquired many attributes Ares never held, especially agricultural) · Ares Enualios (his most ancient cult name, possibly predating the Olympian identification; used as a war-cry in battle) · Ares Gynaekothoinas (He Who Is Feasted by Women — an epithet at Tegea, commemorating women who fought in his name) · Ares Aphneios (the Bountiful — an Arcadian epithet) · Ares Theritas (possibly connected to summer heat and the violence of war) · Enyalius (a war deity sometimes identified with Ares, sometimes treated as his son or cult double)
Day of the Week
Tuesday (Mars's day — Latin dies Martis; Ares was identified with the planet Mars; Tuesday in English derives from Tiw/Tyr, the Norse equivalent of Mars in the Roman interpretatio; the planetary association with red Mars was explicit in antiquity)
How Ares is worshipped
Ares is most appropriately approached with honesty about the nature of conflict — he has no interest in sanitized or heroic abstractions. He is the god of what war actually feels and smells like, not what it looks like in monuments. He is appropriately invoked by those who face real physical danger, who are training their bodies and minds for protection of others, or who are navigating unavoidable conflict with the courage to see it through. Tuesday, the day of Mars, is his day. Red candles, iron objects (tools, nails, a small piece of iron), and red wine are the most traditional offerings. Incense — frankincense, myrrh, or other strong resins — is appropriate.
In the Attic sacred calendar, there was no single great festival of Ares comparable to the major festivals of other Olympians — a reflection of the Greek ambivalence about him. He was honored regularly in the city as the necessary protector, but his unbounded nature was never entirely comfortable within civic religion. In Sparta, his cult was central: the Spartans offered dogs and oxen to him, and their severe training culture (the agoge) was, in a sense, a living act of devotion to what Ares represents — discipline in service of martial excellence. The Laconian Ares was sometimes portrayed in chains, as if the Spartans' own ferocity kept the war-force in service of their city rather than running wild.
Approach Ares with directness and without pretense. He respects physical courage, willingness to face pain, and honesty about conflict. He does not respect posturing or fantasy violence. Physical training — martial arts, endurance exercise, any practice that builds genuine physical capability in service of something real — is a profound act of devotion to him. Do not invoke Ares for aggression you will not own, for violence you are not willing to be accountable for, or for the glorification of suffering. He is a demanding deity who asks for genuine courage, not performance of it.
How do I start honoring Ares?
If you are drawn to Ares, begin with physical honesty — he is a god of the body in extremity, and the best first offering to him is some form of genuine physical effort: a hard workout, a difficult hike, a martial arts session, an act of real labor. Light a red candle. Pour a glass of red wine. Place an iron object — a nail, a knife, a tool — on your altar. Read the Homeric Hymn 8 (To Ares), which is brief but theologically surprising: it asks him not for victory in battle but for the strength to keep his violent energy in check when righteous peace is possible. This is perhaps his most important teaching — the warrior who can choose peace from a position of genuine capability is more admirable than one who cannot stop fighting. Read the aristeia of Diomedes in Iliad Book 5 to understand how the ancients saw his relationship to mortal courage. He is a demanding patron, but one who rewards absolute honesty about fear and conflict.
A prayer to Ares
Ares, bronze-helmed, great in strength,
Who stirs the hearts of mortal men to courage or despair,
You who know the smell of blood and iron and the weight of a wound —
I do not come to you for glory. I come for strength.
Stand with me as I face what I must face.
Let my fear be honest and my courage real.
Let me protect what is worth protecting.
And when the conflict is over, let me lay it down.
I pour this wine in your name, Enualios.
May your force be in my hands when I need it,
And may Harmonia, your daughter, follow after.
Hail Ares.
Festival days
- No single great Panhellenic festival dedicated to Ares survived in the ancient sources (in contrast to the Panathenaea, the Dionysia, etc.) — this itself reflects the Greek ambivalence about him
- Spartans honored Ares with regular sacrifice, particularly dogs, before military campaigns — their training culture (the agoge) constituted a continuous form of devotion
- Areopagus trials (Athens) — held on the Hill of Ares; the site of the first mythic murder trial was one of his sacred places in civic life
- War departures — any Athenian or Spartan military expedition was preceded by sacrifices that included acknowledgment of Ares
- Noumenia (new moon) — appropriate for honoring him as one of the household and city gods on the first of each lunar month
What people get wrong about Ares
- Ares is not the god of military strategy or justified war — that is Athena's domain. Ares governs the raw experience of combat: the wounding, the blood, the terror, the chaos. He and Athena are explicitly opposed in ancient sources, and Athena consistently defeats him because skill and wisdom overcome raw force.
- Ares's frequent humiliation in mythology (wounded by Diomedes, trapped by Hephaestus, imprisoned by giants) does not mean he is a weak or lesser god. It means that raw war-force is consistently overcome or constrained by civilization, craft, and law — yet he always returns. That cycle is the point.
- The Roman Mars is significantly different from the Greek Ares. Roman Mars was an agricultural deity before he was a war god, was one of the most important and respected Roman deities, and was the divine father of Romulus. Ares was not agricultural, was frequently mocked, and was one of the least favored Olympians in Greek cult. They share a name via interpretatio but have very different characters.
- Ares is not purely evil or destructive. The Homeric Hymn 8 explicitly asks him for peace when peace is possible and for the courage to put down violence after battle is done. He fathered Harmonia (Harmony) and Eros (Love). He killed in defense of his daughter Alcippe. He is a complex deity of necessary force, not simply a demon of violence.
- Ares was NOT the most worshipped war deity in ancient Greece — Athena Promachos (the Champion) was the civic war deity of Athens. Ares was honored but never beloved in the way his Roman counterpart Mars was. This ambivalence in the cult is itself spiritually significant and worth understanding.
Also on this path
Aphrodite
Laughter-Loving, Golden Aphrodite, the Cyprian, Lady of Cyprus, Foam-Born, Goddess of Desire
hellenicApollo
Far-Shooter, Bright Apollo, Silver-Bowed God, Lord of Delphi, the Shining One
hellenicArtemis
Lady of Wild Things, Mistress of Animals, Far-Shooting Goddess, Bright-Arrowed Huntress, Guardian of the Threshold